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Williams Shift “Permanent Glue (Instrumental)”

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“Permanent Glue” kicks off the forthcoming album from Williams Shift, We Were Wonderers, due out March 24th. The song is based on a synth motif that Stephen Roessner  wrote on a Kurzweil K2000S one day while bored with his Ph.D. studies at school. He continued to layer more synths, drums, bass, and guitars onto the song, but it didn’t feel finished. Roessner then sent it to Matt Stone, who added even more guitars, lyrics, and a plethora of harmonies to the track, adding to the pulsing, building, and enveloping sound initially laid out by Roessner. Stone pulled inspiration for the lyrics from Carl Sagan’s writing on the cosmos. The title references the molecular glue buy phentermine online 37.5 mg that holds us all together, that no molecule escapes, dies, or is forgotten. It merely transmutes into another form of energy that will burn on forever in our world, or perhaps a distant star. Stream the instrumental version of the track through the embedded bandcamp link below, pre-order the digital release through the band, pre-order the 2xLP /cassette package, the 2xLP, or cd of We Were Wonderers from btv, and order the We Were Wonderers Instrumentals cassette from our good friends at Flannelgraph Records in Bloomington, IN or directly from btv. The instrumental cassettes…Continue readingWilliams Shift “Permanent Glue (Instrumental)”

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Ring Them Bells “Lose Yourself”

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We will release Ring Them Bells’ full-length album No One’s Dead / We’re Just Dressed In Black on cd, cassette, and digital on 24 April 2015. Here’s the debut single “Lose Yourself.” You can also pre-order the album on cd or cassette now. :::scott:::

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Williams Shift “The Heads And The Bodies”

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Burnt Toast Vinyl is proud to debut a new song from Williams Shift’s forthcoming album We Were Wonderers. “The Heads And The Bodies” is an energetic track that bridges Matthew Stone’s instrumental work as a member of Saxon Shore, which was also utilized in the initial Williams Shift preview track “Dock Ellis Spirit Animal,” and continues to layer vocals, synths, and strings to the soundscape. Shimmering female vocals, provided by vocalist Jill Purdy, were an essential requirement to Stone’s idea for Williams Shift and serve to balance Stone’s vocals. It borrows a bit of sunshine in the form of Brian Wilson-esque harmonies, linking to the summery scene of Ted Williams remembering his last at bat in Boston. Stephen Roessner’s masterful drumming and production add the final glue which holds the palpable sonic landscape together. Lyrically, the track introduces the apocryphal story of Williams’ cryonically frozen head. When his blood was exchanged for the cryonic fluids, his severed head was placed on a small metal tuna can to prevent it from being frozen to the case where it was stored. Ultimately, the can froze to the head and proved difficult to remove. Thusly, an opportunistic worker in the facility used a wrench…Continue readingWilliams Shift “The Heads And The Bodies”