Posts Tagged ‘ saxon shore

Williams Shift : We Were Wonderers

btv099coverWilliams Shift’s debut album We Were Wonderers is released digitally and on cd today!

Williams Shift is a new project from Matthew Stone (Soporus, Saxon Shore) and Stephen Roessner (Saxon Shore, Small Signals). We Were Wonderers was recorded in various home studios, produced and mixed by Grammy award winning producer Roessner in conjunction with Stone, and features the vocalist Jill Purdy. Williams Shift comes to life as an outgrowth of the poppiest elements incorporated in songs recorded as members of the instrumental band Saxon Shore combined with the concept of the “Williams Shift” where defenders would align themselves to better field naturally pulled hits from Boston slugger Ted Williams. The band blends soaring synth pop influences with an ever-expanding and spiraling Williams mythology and weight of the Cosmos. Captivated by theories of human cryonic suspension and the cagey details post-Williams mortem, the band embraces an actively dreaming suspended head and an alternate future of Williams’ awakening. His frozen head orbits the earth on a satellite with other cryonically frozen beings, a tragic Greek chorus echoing Williams’ thoughts through Brian Wilson-esque (musician, not reliever) melodies. This is an ode to melody, love lost, remembrance, baseball, Ted Williams’ legacy, and the universe with a hefty dose of artistic license and imagination and the resulting existential and philosophical ramifications.

Williams Shift has been a long dream for Matthew Stone even while he was touring with Saxon Shore. The instrumental track “Dock Ellis Spirit Animal” represents a touchstone and transitional point from his work as guitarist in Saxon Shore and the more pop elements captured in We Were Wonderers. A track like “Sustained Combustion” from Saxon Shore’s It Doesn’t Matter was a Stone-penned melody initially conceived as a proto-Williams Shift track. On “Dock Ellis,” Stone’s instrumental pop melody continues on that spectrum with Stephen Roessner’s production mixing in various guitar arrangements to heighten the pure pop energy. Thematically, Dock Ellis’ LSD-fueled no-hitter story ranks high in the canon of crazy baseball stories and links back to some of the Ted Williams inspired baseball themes on the album.

“The Heads And The Bodies” is an energetic track that bridges Matthew Stone & Stephen Roessner‘s previous instrumental work with Saxon Shore and develops that post-rock influenced soundscape to layer vocals, synths, shoegaze guitars, and strings. Shimmering female vocals, provided by vocalist Jill Purdy, were an essential requirement to Stone’s idea for Williams Shift and serve to balance Stone’s vocals. It borrows a bit of sunshine in the form of vocal harmonies, linking to the summery scene of Ted Williams remembering his last at bat in Boston. Roessner’s masterful drumming and production add the final glue which holds the palpable sonic landscape together.

Lyrically, the track introduces the apocryphal story of Williams’ cryonically frozen head. When blood was exchanged for the cryonic fluids, his severed head was placed on a small metal tuna can to prevent it from being frozen to the case where it was stored. Ultimately, the can froze to the head and proved difficult to remove. An opportunistic worker in the facility used a wrench to knock the tuna can off, missing the can on the first strike, and instead bashing the frozen head of Mr. Williams.

We Were Wonderers’ artwork was based upon the frozen head story. An ice sculpture head was commissioned and high-speed still and video cameras were positioned by Philadelphia photographer/director Timothy Stevens to capture Stone chipping away at the ice head with a wrench. The still images were processed to capture the cover and insert art and the video was used as a preview video announcing the album. We Were Wonderers was predominantly conceived as a studio side-project, but Stone and Roessner have assembled a live band that is currently practicing and preparing Williams Shift tracks for live shows later in 2015. We Were Wonderers is available on both cd and 2xLP. The 2xLP features a 4th side etching from John Ringhofer (Half-handed Cloud) representing some of the album’s thematic elements. The vinyl is pressed on blue vinyl with white marble veins and white vinyl with blue marble veins and presented in a gatefold jacket. Additionally, there is a limited edition cassette featuring the instrumental version of We Were Wonderers and released in conjunction with our good friends at Flannelgraph Records in Bloomington, IN.

Stream We Were Wonderers through the embedded bandcamp link below, order the digital release through the bandorder the 2xLP /cassette packagethe 2xLP, or cd of We Were Wonderers from btv, and order the We Were Wonderers Instrumentals cassette from our good friends at Flannelgraph Records in Bloomington, IN or directly from btv.

:::scott:::

Williams Shift “Permanent Glue (Instrumental)”

“Permanent Glue” kicks off the forthcoming album from Williams Shift, We Were Wonderers, due out March 24th. The song is based on a synth motif that Stephen Roessner  wrote on a Kurzweil K2000S one day while bored with his Ph.D. studies at school. He continued to layer more synths, drums, bass, and guitars onto the song, but it didn’t feel finished. Roessner then sent it to Matt Stone, who added even more guitars, lyrics, and a plethora of harmonies to the track, adding to the pulsing, building, and enveloping sound initially laid out by Roessner.

Stone pulled inspiration for the lyrics from Carl Sagan’s writing on the cosmos. The title references the molecular glue that holds us all together, that no molecule escapes, dies, or is forgotten. It merely transmutes into another form of energy that will burn on forever in our world, or perhaps a distant star.

Stream the instrumental version of the track through the embedded bandcamp link below, pre-order the digital release through the band, pre-order the 2xLP /cassette packagethe 2xLP, or cd of We Were Wonderers from btv, and order the We Were Wonderers Instrumentals cassette from our good friends at Flannelgraph Records in Bloomington, IN or directly from btv. The instrumental cassettes are shipping now to all who order separately or the 2xLP/cassette package! cds have also arrived and will be shipping out shortly to all pre-orders!

:::scott:::

ABOUT

Burnt Toast Vinyl was founded in late spring 1996, primarily focused on regional bands in Philadelphia and the surrounding areas. Since that time, the label has expanded its sights with releases from bands on three different continents. We have been an incubator label of sorts, giving starts to J. Tillman, the original Saxon Shore drummer, who is Father John Misty and was the drummer for the successful Fleet Foxes, and C. Wargo, the singer/guitarist of Scientific, who is now in Poor Moon and was a member of Fleet Foxes, Crystal Skulls, and Pedro the Lion. We released the initial pressings of Sufjan Stevens’ Seven Swans with our good friends at Sounds Familyre and have done vinyl releases for Wovenhand and mewithoutYou. Our one-sided LP series began in 2002 with Damien Jurado and has continued over these several years to include: Aspera, Early Day Miners, Efterklang, Emperor X, Half-Handed Cloud, Isolation Years, June Panic, Mount Eerie (technically a 5-sided LP), The Six Parts Seven, steven r. smith, Yume Bitsu, and more to come.CONTACT
Burnt Toast Vinyl
P.O. Box 42188
Philadelphia, PA 19101btv at burnttoastvinyl.com
215.353.0990

ORDER STATUS
to inquire about missing/delayed orders, e-mail: order at burnttoastvinyl.com